Italian, 1846-1884 Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism,  Related Paintings of Giuseppe de nittis :. | Oil painting Lungo l'Ofanto (1870) by Giuseppe de Nittis (1848-1884), Pinacoteca De Nittis, Barletta, Italy | Lake of thte Four Cantons (nn02) | La Patineuse | On a Bench on the Champs Elysees (nn02) | Presso al lago by Giuseppe de Nittis (1848-1884) oil painting (1880), Pinacotecca De Nittis, Barletta, Italy |
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DUPLESSIS, Joseph Siffrein
French Painter, 1725-1802
Samuel Palmer
1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
CORTE, Gabriel de la.
Spanish painter b. 1648, Madrid, d. 1694, Madrid